Category Archives: MP3 Devices

Today, we want to finish building our streaming audio server by picking up where we left off in Part I. We’ll assume that you already have chosen your favorite player or smartphone and that you’ve opted out of buying Apple’s just-announced Victrola (click inset) or Sony’s latest marvel, the NetJuke. Did we forget to say it … April Fool’s. So we’ll be putting in place your own server using a Mac mini to send your tunes to your streaming audio player, whatever it may be. As we mentioned last week, streaming music is a processor and bandwidth intensive operation because your Mac not only has to decode a compressed music file stored on your local disk and broadcast it to the streaming server, but the streaming server also has to recompress it and manage the audio streams for each player that connects to your streaming server. Put another way, you probably don’t want to be transmitting a 192K audio stream in stereo if you only have a broadband Internet connection with limited upload bandwidth.

So the best place to begin the design of your streaming audio server is with a pencil and some math fundamentals. The bottom line is that a streaming audio server can only stream as much data as your Internet upload connection will support. How do you figure this out? Well, first you need to know how much upload bandwidth your Internet connection supports. Don’t take your ISP’s word for it. Instead, visit a site such as DSL Reports and run a Speed Test. The MegaPath Networks site usually works well. We don’t care so much about download performance for this project. What we’re interested in is the upload number. Let’s assume your upload number is 256 kbps. To determine the maximum bitrate that your server can support, divide the number of simultaneous streams you wish to support by the upload bandwidth of your connection. For example, the maximum bitrate your 256 kbps connection could support with two streams is 128 kbps. For 8 simultaneous streams, the supported bitrate would be 32 kbps. What happens if you do the math wrong or cheat? Your server crashes and burns. It’s that simple. Actually, the burning part is hyperbole, but you can almost count on a crash.

Another factor to consider in planning the bitrate for your streaming server is the player hardware and download bandwidth of your target audience. We’re going to assume that you are the target audience for your stream to keep things on the up and up. You did read our first installment, didn’t you? So, if you only will be supporting one stream (to you) and you plan to listen to your music on your cellphone, then a bit rate of 24 kbps in mono is probably about right unless you want the audio stream at the receiving end to die and restart regularly. If, on the other hand, you plan to play the stream from your home server at your beach house 500 miles away using an AudioTron with a three megabit cable modem connection to the Internet, then a 128 kbps stream in stereo may be more appropriate to improve the quality of the music at the receiving end. Just keep in mind that the higher the stream rate, the more processing power is required to pump out the stream. And, to broadcast in stereo, means multiplying everything by two.

Choosing A Streaming Server. Assuming you’ve solved the bandwidth requirements, step two is actually choosing a Streaming Audio Server. As we mentioned in the first part of this article, this is complicated a bit by the fact that you also need a Broadcast Server in the Shoutcast environment. If you only want a system which can send a single song on demand or a system which will play a predefined playlist, then Nullsoft’s Shoutcast DNAS server for the Mac is a perfect fit, and you can download it here. Be sure to carefully read the installation and configuration instructions which are included on Nullsoft’s web site. For the broadcaster component on Mac OS X, you can download the Shoutcast DSP Plugin for Mac OS X here. Be sure to review the configuration settings before you install the software and keep in mind that the Mac broadcast module cannot stream input from a sound card, only a playlist.

Other Broadcast Options. Let’s assume that your only reason for doing any of this is to impress your friends by playing some unique content on your cellphone "live." Nothing quite beats the iMan’s talk-radio broadcast if this is your goal. And there are a couple of approaches on the Mac platform. The first is to install the Shoutcast DNAS server on your Mac as outlined above and use the Windows platform for the broadcasting module. In this scenario, you download WinAmp 2 for Windows XP from here and then download the Shoutcast DSP Plugin for WinAmp 2.0 from here. You obviously have to have a Mac and a spare Windows XP machine and a radio with a line out jack to make this work. The only trick to successfully connecting all the pieces is making sure the passwords for the streaming server on the Mac and the WinAmp broadcaster module match. And, of course, make sure that the Shoutcast port isn’t blocked by a firewall on either your Mac or the Windows XP machine. If this sounds like a configuration nightmare, trust me. It is!

The Smarter Alternative. Unless you just spent your last nickel for lunch today, there is a far simpler way to bring up a streaming audio server on the Mac platform, but it’ll cost you $40. The product is Rogue Amoeba’s Nicecast. You can try it for free, and it’s fully functional for the first 20 minutes of every broadcast. Then the quality of the audio stream starts to deteriorate. If we’re still talking about listening to the iMan, 20 minutes is probably more than enough in one sitting anyway. In short, you can make absolutely certain that Nicecast meets your needs before you spend a dime. Complete installation and setup takes about two minutes, and Nicecast provides both the streaming server component which is Shoutcast-compatible and the broadcaster component. And any content you can play or hear on your Mac can be streamed with Nicecast. This includes iTunes as well as input from a microphone, a mixer, any radio with a line out jack, or even EyeTV. On the Mac mini, you’ll need a USB input device for most of these options. Griffin’s iMic is the best value. Finally Nicecast includes 40 professional plug-in’s including a terrific equalizer to improve the quality of your stream.

To get started, download and install the software. Run the application by double-clicking the Nicecast icon in your Applications folder. Click on the Source button and pick your input source. Click on the Input button and name your streaming station. You can include a genre and web site address if desired. Click on the Quality button and choose the quality of your audio stream. Nicecast will make an educated guess based upon the speed of your Internet connection, but you can change it in one click by selecting one of the predefined stream types. Click the Share button, and Nicecast will provide you the web link to use in your player. Make certain that Port 8000 is open on your Mac firewall and that Port 8000 on your hardware-based firewall is mapped to the internal IP address of your Mac streaming server. Now click the Start Broadcast button, and you’re in business. It really doesn’t get much easier than that which explains why Nicecast has won just about every software award worth winning including MacWorld’s Editor’s Choice in December, 2004. And, if you do ever need help, Nicecast’s first-rate documentation is as close as the Help button in the application. Finally, if you’re thinking this whole project sounds pretty silly, then take a few minutes and read this article which explains better than I why, a year from now, this project and the Mac mini may not look so silly after all. See you next week for FTP servers.

Most of our Mac mini projects, which also work fine on any other Mac running Mac OS X v10.3, have focused on open source solutions at no cost. The reason was not so much because the technology was free (although that’s obviously a big plus for many of us) but because the open source software was the best in its class. The landscape is a little different in the streaming audio world. You can build a streaming audio server on a Mac with free tools, but they are not open source. While the quality is certainly still there, the system’s usability leaves a lot to be desired. Here’s why. There are usually three components in a streaming audio system: a player, a broadcaster, and a streaming server. The broadcaster sends MP3 files to the streaming server which handles compression for streaming and distribution of the stream to the players. Players and a streaming server are readily available on the Mac platform; however, the broadcaster component (which is open source) is limited in its functionality so we’ll propose another approach for the Mac platform.

We’re going to break down the process into its parts to simplify things for those just getting started. Today we’ll be addressing streaming audio players. Then, in Part II of our series, we’ll talk about a broadcaster and streaming audio server for your Mac mini. We’re also going to focus primarily on products which are Shoutcast-compatible since it is the free standard for streaming audio. For your own requirements, other solutions may work as well or better, and we’ll mention a couple. The bottom line is you can’t go wrong with a Shoutcast-compatible streaming audio solution, and you won’t have to worry about someone pulling the rug out from under your music project down the road (we hope).

Shoutcast is the invention of the good folks at Nullsoft that brought the world WinAmp. Nullsoft is now a subsidiary of AOL which now is part of the Time Warner empire. After joining AOL, the Nullsoft team created gnutella. AOL management shut down the gnutella project, and virtually all of the Nullsoft developers resigned. That history lesson is intended to explain the "we hope" reference in the previous paragraph. Thus far, Nullsoft’s Shoutcast streaming server remains free for the taking, and there are many open source broadcaster products which have evolved that all rely upon the Shoutcast server for streaming content distribution. Just keep in mind that both AOL and Time Warner are content aggregators, and you can rest assured that Big Brother will never let Little Brother interfere with their primary goal: making money. For another perspective on the incestuous relationship between Nullsoft and AOL, read this. Before you shed too many tears for the Nullsoft developers, keep in mind that they walked away from the table with a cool $100 million for a company whose major income producer is the WinAmp music player, the deluxe version of which sells for $14.95. And then there’s the WinAmp competition: Microsoft’s free (bundled) Windows Media Player and MusicMatch (almost free and bundled with virtually every new PC on the planet). And folks wonder why the Internet bubble burst. Do the math! So much for the politics, let’s get back to the technology.

Streaming Audio Defined. As the name implies, streaming audio means you can play a digital audio stream almost instantaneously on some type of player without waiting for an entire song to first download into the player. If you want to learn more about streaming technology, here’s a link that will tell you everything you ever wanted to know. So the first two prerequisites to make all of this work are some type of player that can handle streaming audio and a local network or Internet connection with acceptable bandwidth to the streaming audio source. In terms of quality and versatility for home use, there is no finer hardware-based player than Turtle Beach’s AudioTron. The AudioTron’s distinguishing characteristic from most other players is that it can play a collection of songs directly from a network hard disk without reliance upon any streaming audio server. It can also play Shoutcast streaming audio. And, as luck would have it, Turtle Beach has inexplicably killed the product just when streaming audio has finally hit its stride. The good news is that Turtle Beach and a throng of dedicated users still support the product with a broad range of add-on’s. And there are usually some units available on eBay if you want one.

Streaming Audio Players. There are many of other streaming audio players that can double as a server as well. Not the least of these is your trusty Mac running iTunes or a PC running WinAmp or Windows Media Player. One advantage of WinAmp is that it can also serve as a broadcaster in addition to being a great streaming audio player. In fact, if you are fortunate enough to have both a Mac and a Windows XP machine and you also have an XM Radio or a Sirius Radio with a line out jack, you can actually use WinAmp to broadcast your satellite radio content to your Shoutcast server by adding the free Shoutcast broadcasting plug-in to WinAmp. And, until last week, you could add the Output Stacker plug-in to capture Napster To Go streams to disk. Big Brother deleted out_disk.dll from the Shoutcast site but, with a bit of Googling on the file name, you can probably still find it if you are so inclined. See what we mean about the content aggregator mentality. This is basically the same technology and quality as a tape recorder from forty years ago, and now the content providers want to outlaw it. So much for fair use. Another worthy contender in the all-in-one category is the Blackbird Digital Music Player. Also in the home audio component player category are the Squeezebox which uses its own server software for your Mac and Netgear’s MP101.

Streaming Audio to Cellphones. One of the really cool uses of streaming audio is to play tunes on your cellphone from your home music collection. The Treo 650 running PocketTunes with an Internet connection such as Sprint’s PCS Vision is the perfect fit. For this to work, you obviously will have to open port 8000 on your home firewall and map the port to the IP address of your Mac. You’ll also have to enable port 8000 in your Mac’s firewall. We’ve covered all of this before if you need a refresher course. Just substitute 8000 for 80 in the discussion and follow the steps.

But, is it legal? Well, as a lawyer, I’m obliged to first tell you that this article is not a legal opinion, but a technology discussion. You’ll need to consult with your favorite lawyer to get a legal opinion. As a layman, I’d predict that your guess is about as good as mine. Building a shoutcast server certainly appears to be legal since there is a process in place to pay astronomical license fees. But. if you are shoutcasting only to listen to your own music collection yourself, it’s difficult to fathom how this differs from playing your purchased music directly on your CD player or iPod or Mac or PC. If you can legally carry your CD music collection from your home to your car to play it, then it seems reasonable to assume you could beam an album you’ve paid for from your home to your car or your cellphone. That is essentially what Apple does with its Airport Express. Of course, once you start sharing your music collection, all bets are off. A law professor would probably ask what happens when someone walks in your house and listens to your music. Are you now a music pirate? And what if they bring a tape recorder? Isn’t law school fun? Here’s an article and another one that cover a lot of the issues if you’re interested.

Having grown up in an era when kids were afraid to touch someone else’s mailbox out of fear of committing a felony, it’s more than a little disconcerting to look at today’s music landscape in the United States where the RIAA in collusion with the United States Congress has managed to turn almost half the country into felons for their music collections. My own view is that the Digital Millenium Copyright Act was enacted out of spite to prove Mark Twain was wrong when he said, "There’s no distinctively native American criminal class, except [perhaps for] Congress." And then there’s Microsoft’s illustrious CEO, Steve Ballmer, who put it so eloquently: "The most common format of music on an iPod is stolen." For a company that made its fortune on a product with more than a few "similarities" to the Mac (to which Microsoft had something akin to a source code license at the time), one might reasonably conclude that Mr. Ballmer certainly knows his subject matter. Finally, it’s worth recalling that no music was subject to federal copyright until 1971, long after the Beatles and Rolling Stones and Elton John had made their millions. Ask yourself this question: "Was there more music piracy in 1970 or today?" So we’re not quite sure all the legislating has really accomplished a lot … other than criminalizing the American public and lining the pockets of congressmen and recording industry moguls. Wink, Wink: They call them campaign contributions.

If Congress and the RIAA are serious about ending piracy, then a fresh, common sense approach seems long overdue. The new Napster To Go leasing model suggests that the RIAA is perfectly comfortable with a fee of $15 a month for an unlimited music collection. If we can all agree (1) that iPods and other music players only last for three or four years, (2) that you have to have a music player to play music, and (3) that less than one in a thousand listeners actually uses today’s Napster system, then it shouldn’t take a mathematics genius to figure out that some "Artists’ Fee" in the neighborhood of $100 could be added to the cost of every music player and, once such a player was purchased, the end user would be licensed to play any music the end user could get his or her hands on at no additional cost for as long as the music player would play. Why $100 and not $700 (the four-year cost of a Napster subscription)? If $700 is profitable for the RIAA and Napster with virtually no market share, then the basic laws of supply and demand suggest that increasing market share 1,000-fold should result in a cost reduction of at least 80% particularly where there are zero production and distribution costs in the pricing and sales model. And finally, limit payments from the Artists’ Fee fund to only those artists who distribute their music in unencrypted formats. Just my 2¢ worth.

That’s it for today. If you want to try out the product we’re going to be raving about in Part II, then download Rogue Amoeba’s Nicecast and have a blast until next week.